PILLARS OF FRACTURED INSTINCTS I

These paintings are a vivid exploration of the chaotic interplay between primal instincts and societal constructs, symbolized by the vibrant, jumbled wolf heads and piercing eyes.

The wolves represent the raw, untamed emotions and desires that lie within us all, reflecting our intrinsic nature as both predator and prey.

The eyes, scattered among the heads, signify the ever-present awareness and perception, watching and being watched, a constant reminder of the delicate balance between hunter and hunted.

The piles of wolf heads highlight the complex dynamics of social structures and pack behavior, illustrating themes of unity, hierarchy, and conflict.

Wolves, as inherently social animals, embody the intricate web of relationships and interactions that define our existence within a community.

The cubist style, with its fragmented and multifaceted approach, underscores the disjointed and multifarious nature of these interactions, revealing the fractured yet interconnected essence of our inner and outer worlds.

Through this amalgamation of chaos, instinct, and societal dynamics, the paintings invite viewers to reflect on the tension and harmony that define the human condition.

They challenge us to acknowledge and embrace the duality within ourselves and our relationships, presenting a kaleidoscopic view of the psyche where the primal and the civilized coexist in a perpetual, dynamic dance.